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The Very Best of Cat Stevens
CD
More reviews by Anthony Trendl Back to HungarianBookstore.com's review section
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Kicking off A&M's ambitious Cat Stevens reissue program is this 20-song introduction. The set surveys all of Stevens's stages, from the orchestrated late-1960s sides through his early-'70s peak to his more eclectic late-1970s experiments. Following the progression makes for an interesting endeavor as Stevens learns to harness his ambitious ideas with arrangements that don't obscure his rhapsodic messages. Few artists of his generation were more gifted when it came to plucking timeless melodies out of thin air, and his sumptuous voice was always able to movingly convey his bittersweet lyrics. As a career overview (including one previously unreleased cut) this set achieves its goal, hitting all of the chart successes along the way and basically defining his role as a sensitive '70s singer-songwriter, but some fans may opt for the classic early-'70s studio records, which find Stevens at his most consistently touching. --Marc Greilsamer

REVIEW

Will the Real Cat Stevens Return?

There was a time when Cat Stevens had something to say, and this CD compiles the whole. Whether his poetically romantic "Lady D'Arbanville" or his cautionary "Wild World," he declared in song things worth singing along to. The defiant "Another Saturday Night," with its familiar lonely angst ("It's another Saturday night and I ain't got nobody," resonates today as much as it did back in the 1970s when Cat Stevens mattered. That he now gives half of his royalties to charities the US government claims are affiliated with terrorism is alarming, but his old song still plays well. The broken-hearted hope intonated in "The First Cut is the Deepest," still has the same power when it hit the airwaves when AM radio was king.

The hits, like "Moonshadow," "Peace Train" and "Morning Has Broken," are all here. With 20 cuts, it plays longer than average, and is perfect for long drives.

As a personality, Stevens is enigmatic, acknowledging at one time that the Koran taught those who denounce the Islamic god should be killed (when referring to the Salman Rushdie death fatwah, still in force), while also, more recently, opposing terrorist attacks. As a musician, he has always been strong, bringing in passion to the often more subdued folk-rock scene.

This CD is clean of hiss and other noise problems sometimes found in compilations from the 1970s. Because his guitar work is filled with subtle strummings and picking, the clarity sounded here will cause older fans to put away their LPs. It is that good.

I fully recommend this CD, but be aware where the money goes.

Anthony Trendl



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