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Martin Scorsese Presents The Blues: Robert Johnson
CD
More reviews by Anthony Trendl Back to HungarianBookstore.com's review section
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Full title - Martin Scorsese Presents The Blues. From the PBS series produced by filmmaker Martin Scorsese, this collection features 14 Robert Johnson classics, plus 2 emotional versions of Johnson's songs 'Hot Tamales (They're Red Hot)' & 'Last Fair Deal Gone Down' by Cassandra Wilson & Keb' Mo' respectively. Sony. 2003.


REVIEW

Original 1930s Blues for the 21st Century

Some people like to think Robert Johnson was the greatest bluesman ever. A bluesman is never all that great, since the nature of the music and lyrics are about hard times, tough people and unmet greatness. However, after listening to a lot of blues, I can hear how solid his music is.

This is "Martin Scorsese Presents The Blues," based on the PBS documentary series "The Blues." It is not intended to be the Robert Johnson boxed set. There's more of Johnson to be heard on "Complete Recordings" which features all 41 recordings he made. Scorsese's compilation here includes Johnson singing 16 songs, and Keb' Mo' and Cassandra Wilson singing two other Johnson tunes.

While this CD is not meant for Johnson purists, it has a great selection of songs that show his range of guitar skill, lyrical depth and vocal strength. It is more than a sampler, as it reflects the majority of Johnson's total body of work.

The Wilson version of "They're Red Hot" is fast-paced, sounding like it was recorded in one room, with rustic acoustics.

Keb' Mo's cover of "Last Fair Deal Gone Down" is reverential of Johnson. "If you cry about a nickel, you'll die 'bout a dime," he sings. Fans of Van Morrison will think of his album "Avalon Sunset" listening to this one. It is richly layered with Dixieland brass influences, with the vocal reminiscent of Joe Cocker.

The recordings here are clean. The pop, hiss and buzz often found in recordings from the 1930s is not evident here.

A 15-page liner notes booklet, with an intro written by Scorsese, provides the background to Johnson's life and his importance to blues in general.

Setting Johnson apart from other musicians is that he write the standards. His are the ones other people have recorded since. "Sweet Home Chicago" is his, "Oh, baby don't you want to back to the land of California, to my sweet home Chicago." His songs aren't covered like other songs are. Instead, they can only do homage, rather than redefine, some of the most powerful blues songs ever sung.

George Thorogood & The Destroyers, Eric Clapton, Elmore James, Bonnie Raitt and even the Red Hot Chili Peppers have made versions of his songs. Listen to Robert Johnson sing, "Cross Road Blues" and learn why they did.

His tombstone reads:

"King of the Delta Blues Singers"
His music struck a chord
that continues to resonate,
his blues addressed
generations he would never
know and made poetry of
his visions and fears.

I fully recommend "Martin Scorsese Presents The Blues."

Anthony Trendl



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